Typhoons CD Album (Ltd Edition)

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$22.00
Expected delivery to Australia 4 - 5 business days (excludes preorders).
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Limited Edition 1CD, gatefold card sleeve printed on metallic foil with a 12 page booklet.

Release date: 30th April 2021
Due to COVID-19 there could be delays with your order. You will be notified if item cannot ship by the expected date. Orders with multiple items will ship when all items are in stock.

Tracklist:

  1. ‘Trouble’s Coming’
  2. ‘Oblivion’
  3. ‘Typhoons’
  4. ‘Who Needs Friends’
  5. ‘Million & One’
  6. ‘Limbo’
  7. ‘Either You Want It’
  8. ‘Boilermaker’
  9. ‘Mad Visions’
  10. ‘Hold On’
  11. ‘All We Have Is Now’

After two UK #1 albums, 2 million album sales and an array of international acclaim, you might’ve thought you knew what to expect from Royal Blood. Those preconceptions were shattered when they released ‘Trouble’s Coming’ last summer. Hitting a melting pot of fiery rock riffs and danceable beats, they delivered something fresh, unexpected and yet entirely in tune with what they’d forged their reputation with.

 The reaction was phenomenal, with highlights including 20 million streams, a premiere as Annie Mac’s Hottest Record and a run on Radio 1’s A-list and earned alternative radio support and media attention across the globe. In short, Royal Blood are primed to be bigger than ever before. That feat is set to be realised when they release their eagerly anticipated third album ‘Typhoons’ on April 30th via Warner Records.

 When Mike Kerr and Ben Thatcher sat down to talk about making a new album, they knew what they wanted to achieve. It involved a conscious return to their roots, back when they had made music that was influenced by Daft Punk, Justice, and Philippe Zdar of Cassius. It also called for a similar back-to-basics approach to what had made their self-titled debut album so thrilling, visceral and original.

 “We sort of stumbled on this sound, and it was immediately fun to play,” recalls Kerr. “That’s what sparked the creativity on the new album, the chasing of that feeling. It’s weird, though - if you think back to ‘Figure it Out’, it kind of contains the embryo of this album. We realised that we didn’t have to completely destroy what we’d created so far; we just had to shift it, change it. On paper, it’s a small reinvention. But when you hear it, it sounds so fresh.”

Those traits pulsate throughout the new single and title track. Kerr’s spiralling bass riff casts an hypnotic allure as it grows in intensity, while his vocals switch at will between a raw rock roar and a soulful falsetto. It’s underpinned by Thatcher’s thundering beats, his taut rhythms infused with groove-laden hi-hats.

 After setting the tone with ‘Trouble’s Coming’, the album opens in breathless, take-no-prisoners style with the fierce metallic grooves of ‘Who Needs Friends’ hitting an early visceral peak. Royal Blood further reference their fresh array of influences by deploying vocodered vocals on ‘Million & One’ before dynamically switching between the biggest contrasts of their sound with ‘Limbo’. Already a fan favourite having been a regular during the duo’s 2019 shows, ‘Boilermaker’ lives up to its reputation and is more than matched by ‘Mad Visions’, which evokes a hyper-aggressive Prince. It ends with a final surprise in the shape of the stark piano ballad ‘All We Have Is Now’, a vulnerable and revealing reminder to live in the moment.

 That song’s unguarded sentiments gives the album a redemptive finale. Whether directly or allusively, the album focuses on exploring the flipside of success that they’ve experienced. It comes from the realisation that success is much more complicated than it seems and that having the time to regain perspective is a precious commodity which becomes ever more elusive. The situation called for reflection and change, which Kerr addressed in Las Vegas. He downed an espresso martini and declared it to be his last drink, and soon discovered that his new-found sobriety would have a positive impact upon his creativity and life as a whole.

 

That new approach manifested itself in the duo’s decision to produce the majority of ‘Typhoons’ themselves. ‘Boilermaker’ was produced by Queens of the Stone Age frontman Josh Homme, the two bands having first connected when Royal Blood supported them on a huge North American tour. Meanwhile, the multiple Grammy Award winner Paul Epworth produced ‘Who Needs Friends’ and contributed additional production to ‘Trouble’s Coming’.

Shipping:
All orders are generally sent within 4-5 business days once payment has been received, or, in the case of a pre order, when the product becomes available, however please allow up to 10 business days once payment has been received for us to send your order. If we are unable to deliver your order to you within 30 days of the date of your Order Confirmation, you will have the option to cancel the order and are entitled to receive a full refund. Shipping may occur after 5 days if a later shipping date is specified.
Return Policy:
All returns must be made within 14 business days of the ship date and any costs that you incur when sending the item back will be refunded to you. Refunds will not be given for the purchase of the wrong item, only store credit. Some returns may incur an extra shipping fee.

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